11-06-2014, 10:50 PM
Ayy here's my 2 cents
The problem with some of your songs is that they do not adhere to a key. I'll try to explain this simply:
The key of C major contains seven notes—C, D, E, F, G, A, and B. These notes sound nice together, so if you're making a song in the key of C major, you'd only use those notes in the song. If you happen to use a note that is not in that key, it sounds weird; and I think as long as if you're not tone deaf, you'll be able to hear the 'weirdness.' These 'weird notes' are called accidentals.
I made a sequence to demonstrate this. Gee, I wonder what the wrong note is?
[url=
]This song (your song)[/url] seems to use accidentals very liberally. Although it could be a stylistic thing, I think it would sound better if you stuck to a key. The most appropriate key to use in that particular song seems to be A minor, I guess???
also disclaimer I am not a master of music theory so feel free to take this post with a grain of salt
The problem with some of your songs is that they do not adhere to a key. I'll try to explain this simply:
The key of C major contains seven notes—C, D, E, F, G, A, and B. These notes sound nice together, so if you're making a song in the key of C major, you'd only use those notes in the song. If you happen to use a note that is not in that key, it sounds weird; and I think as long as if you're not tone deaf, you'll be able to hear the 'weirdness.' These 'weird notes' are called accidentals.
I made a sequence to demonstrate this. Gee, I wonder what the wrong note is?
[url=
also disclaimer I am not a master of music theory so feel free to take this post with a grain of salt
HEY THIS IS DC LET ME KNOW IF YOU'RE HERE I MISS YOU DUDE 
bruh how did you even get my pw
HEY THIS IS LUCENT IDK WHO YOU ARE BUT LET ME KNOW IF YOURE HERE I MISS YOU TOO
bruh how did you even get my pw
HEY THIS IS LUCENT IDK WHO YOU ARE BUT LET ME KNOW IF YOURE HERE I MISS YOU TOO