09-16-2020, 02:19 PM
(This post was last modified: 09-16-2020, 02:19 PM by Ross Ewich.)
(03-10-2018, 09:34 PM)Jonah Wrote:(03-10-2018, 04:33 PM)Kirbyderp Wrote: It seems to me that your 2nd rule is pretty biased, reverb on drums can work.
You might be misinterpreting what I said. What I meant was that reverb shouldn't be used on the kick. You're right, it's a completely valid option for most of the drums, however, personally I'd advise against it when it comes to stuff like kicks and toms because those have a large amount of low-end frequencies. While the reverb that OS uses seems to have some form of low-cut (if it didn't, the problem would be much more noticeable and worse), but personally I don't consider it enough. Although you may be right that this opinion is biased, the genre I focus on tends to have really tight, short-envelope kicks, and I don't tend to listen to music that has more ambient style drums.
So yes, it could be a stylistic choice to use reverb on the drums for advanced users, but I think beginners should avoid it if they don't know what they're doing. It can lead to clashing in the low-end which would inevitably either lead to simply having a crappy sounding low-end, or turning the drowned out instruments up which leads to Loudness Overload and unequalization.
tl;dr: It's doable, but it's difficult and it can't be an afterthought.
I used quite a bit of delay in this track for the drums.
Especially starting at measure 41.
It was one of those things where I'm just messing around with it, but I tested it out, and it sounded kind of funky, so I kept it.
I am a percussionist, though, so maybe that plays into it. (Not an active percussionist, but I was in the band in middle school/high school/college)